A poem on bass, migration, biometry, and repentance, commissioned by 20 Seconds Magazine and published in their second issue, released September 2020. The poem is accompanied by a photo series by Elsa Laurent.
“…so come, stranger
the gates are open
yet our hands are tied
in a decolonizing gesture”
Earlier versions of this poem were presented as sound performances at IASPIS Stockholm and Savvy Contemporary Berlin, both in 2019.
Print only. Buy the magazine here and support their work.