Untitled (Rauschabstand)

A poem on bass, migration, biometry, and repentance, commissioned by 20 Seconds Magazine and published in their second issue, released September 2020. The poem is accompanied by a photo series by Elsa Laurent.

“…so come, stranger
the gates are open
yet our hands are tied
in a decolonizing gesture”

Earlier versions of this poem were presented as sound performances at IASPIS Stockholm and Savvy Contemporary Berlin, both in 2019.

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