is a chapter for the Bloomsbury Handbook of Sound Art, edited by Sanne Krogh Groth and Holger Schulze. In it I discuss possibilities for sound art thinking through and together with Édouard Glissant and Gloria Anzaldúa.
is an Audio Paper dealing with the sonic matter of accent recognition systems, focusing on the emerging listening practice of the rehearsal. Published in Spheres – Journal for Digital Cultures, issue #5.
is an analysis of the soundscapes of protest from June 2013 to the occupation of schools in São Paulo in 2015–16. Published in PROTEST. The Aesthetics of Resistance (2018). Zürich, Lars Müller Publishers.
Soundscape compositions from a self-initiated, lo-fi archive on the use of sound as a collective medium for political change in the Global South. Collaboration with Lucas Odahara. Two channels. Length: 53:41; 54:24; and 11:04. “It’s either today, or not tomorrow!”, announces the speaker to his bewildered audience. With passionate enthusiasm, he points out the deficiencies […]