is a book chapter for “Border Listening/Escucha Liminal” published by Radical Sounds Latin America in 2020. It presents an interrogation of one of the many articulations of racialized sonic violence in Brazil perpetrated by the Military Police of Rio de Janeiro, using a Jukebox (and the listening practices it affords) as its main narrative thread.
is a paper discussing the role of design and material practices on the weaponization of quietness through the deployment of sound bombs by the Military Police of São Paulo, Brazil. Published by the Design & Culture Journal in June 2019.
Live coding and spoken word performance presented at Transmediale 2017, in collaboration with Luiza P. Part of the Singularities panel, curated and moderated by Morehshin Allahyari and Daniel Rourke. Joining us on this panel were also Dorothy R. Santos and Rasheedah Phillips. The bomb, singular,Is hurled at us, plural,In timed stepsIn rhythmic explosions We scream, […]
is an introductory workshop on the theme of violences performed with and through sound and listening. Collaboration with Leil Zahra-Mortada and Gabi Sobliye (formerly from Tactical Tech Collective.)