Live and Expanded Cinema Performance. Developed in collaboration with Ariel Orah (Soydivision), and premiered in November 2024 at Sinema Transtopia, Berlin-Wedding. Duration: ca. 65 minutes. TAHANGUENTAR is a choreographed sound and visual performance mixing elements of cinematographic dramaturgy with musical improvisation, dance, and archival research. Conceived by Ariel William Orah and Pedro Oliveira, the piece […]
is a write-up and/or script for a performance-lecture on how to listen and think (with and against) the archive. Presented live a couple of times in 2020; now living as a book chapter in “Postcolonial Repercussions – On Sound Ontologies and Decolonised Listening,” published by Transcript Verlag.
Composition and live performance for modular synthesizer and recorded voice. Constructed with and through the voice of death metal singer Fernanda Lira (Crypta). Originally commissioned by Festival Novas Frequências (Brazil) and Taking Things Apart (Germany) with dramaturgy by Giuliana Corsi. Also available in album format as Digital and Cassette. Listen and buy on Bandcamp. A […]
Performance and Radio piece, commissioned by Deutschlandfunk Kultur and CTM. Presented live at HAU2 Berlin on January 30, 2019, as part of CTM Festival. Broadcast on 31st of May 2019. Length: 41:12 A Series of Gaps Rather Than a Presence is a tale about home, a story of returning, or, if you are so inclined, […]
Acapella performance for a trio of migrant voices. Commissioned by the Goethe-Institut Brussels and presented live in Belgium on April 14,2018. Duration: ca. 10 minutes. The ubiquitous phrase “Quelque chose de suspect?” seen in airports and train stations in French-speaking Europe is an example of how biometry is a performative everyday gesture, constantly enacted through […]