Composition and live performance for modular synthesizer and recorded voice. Constructed with and through the voice of death metal singer Fernanda Lira (Crypta). Originally commissioned by Festival Novas Frequências (Brazil) and Taking Things Apart (Germany) with dramaturgy by Giuliana Corsi. Length: ca. 45 minutes. A sonic exploration on the afterlives of colonialism and the violence […]
is an essay for the 4th issue of DING Magazine “Correspondences from the Edges,” on how the European border listens to the (migrant) body, the implications of these listenings in shaping understandings of what the “human” can be, and how these understandings can be turned upside down.