is a lexicon entry/book chapter/interview for “Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies,” in which I discuss my understanding of the use of machine listening for determining origin and identity to not only spectralize the body but also to deconstruct and reorganize what a migrant body is and can be.
is a contribution to the Architecture and Culture Journal investigating the material and discursive claims made by the Bundesamt für Migration und Flüchtlinge about the workings of their dialect recognition software for undocumented asylum applicants.
Composition and live performance for modular synthesizer and recorded voice. Constructed with and through the voice of death metal singer Fernanda Lira (Crypta). Originally commissioned by Festival Novas Frequências (Brazil) and Taking Things Apart (Germany) with dramaturgy by Giuliana Corsi. Also available in album format as Digital and Cassette. Listen and buy on Bandcamp. A […]
is an essay for the 4th issue of DING Magazine “Correspondences from the Edges,” on how the European border listens to the (migrant) body, the implications of these listenings in shaping understandings of what the “human” can be, and how these understandings can be turned upside down.