is a book chapter for “Border Listening/Escucha Liminal” published by Radical Sounds Latin America in 2020. It presents an interrogation of one of the many articulations of racialized sonic violence in Brazil perpetrated by the Military Police of Rio de Janeiro, using a Jukebox (and the listening practices it affords) as its main narrative thread.
are liner notes for Lucas Odahara and Luiz Monteiro’s “COVER (Something Newly Missing)” discussing the power of musical covers, their relation with the blues and Latin America’s idea of solitude.
is my contribution as a guest editor for issue 19 of the Journal of Sonic Studies, themed “Sounds of Latin America.” This Editorial is both a framing and a call, weaving with and through Gabo, Gloria Anzaldúa, and Ailton Krenak.