Spectralizing, or the Many Hauntings of the “More-Than”

is a lexicon entry/book chapter/interview for “Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies,” in which I discuss my understanding of the use of machine listening for determining origin and identity to not only spectralize the body but also to deconstruct and reorganize what a migrant body is and can be.

Politicizing Acoustic Features: : Undoing the Colonial Fiction of Voice-as-Citizenship in the German Asylum Seeking System

is a contribution to the Architecture and Culture Journal investigating the material and discursive claims made by the Bundesamt für Migration und Flüchtlinge about the workings of their dialect recognition software for undocumented asylum applicants.

How to problematize a border, or: some ongoing notes on transient methodologies

is an experimental article for the ARTNODES Journal, rehearsing a method for an anarchic media archeology and largely based on my research on the DDR-era synthesizer “Subharchord” and its relation to contemporary voice recognition algorithms.