is a lexicon entry/book chapter/interview for “Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies,” in which I discuss my understanding of the use of machine listening for determining origin and identity to not only spectralize the body but also to deconstruct and reorganize what a migrant body is and can be.
is a contribution to the Architecture and Culture Journal investigating the material and discursive claims made by the Bundesamt für Migration und Flüchtlinge about the workings of their dialect recognition software for undocumented asylum applicants.
is an experimental article for the ARTNODES Journal, rehearsing a method for an anarchic media archeology and largely based on my research on the DDR-era synthesizer “Subharchord” and its relation to contemporary voice recognition algorithms.
is an MA Seminar interrogating and intervening on the political and cultural implications of borders, articulated through a decolonizing approach using the theoretical frameworks from Latin American and Caribbean thinkers.
is an MA Seminar which looks beyond the canon of Eurocentric research methodologies in the humanities as an opportunity to understand the assets of research and proposes a re-historicising of them towards a non-colonial, non-eurocentric research standpoint.
is a BA Seminar exploring different articulations of sound and violence, from assessing the effects of sound in the body, to diverse discussions on how sound can be either a direct vector of or an excuse for different forms of oppression.